Falling In Love All Over Again

— Not that I’ve ever fallen OUT of love with photography, but at times the passion invigorates me afresh, and I find I can hardly think of anything else for days on end.

Hits me a few times a year. And there’s no shaking it.

There’s work to be done, life to be lived … yet all I can think about is my camera, a particular lens I want to work with, and new things I want to get out there and try.

Trying out NEW things is always the most exciting part of photography for me.

That or re-exploring things that have fallen out of my repertoire for whatever reason.

And whenever I get hit with the urge to spend hours and days with my camera, I tend to turn to a few specific resources to grab a bunch of fresh ideas to go out and explore, new techniques to try (or sort-of-familiar techniques to revisit, hoping to master this time out), as well as a handful of completely new methods to dive into and see where they take me.

My go-to resources when I’m stocking up on ideas to carry with me into the field tend to be:

— My collection of classic works of photography (from Alfred Steiglitz and Henri Cartier-Bresson … to Vivian Maier, Sally Mann, and Trent Parke).

— My collection of books by David duChemin (one of my favorite writers on the artistic side of photography).

— And one especially awesome book by Brooke Shaden: Inspiration in Photography.

Indeed, this last one inspired me so much I eventually found myself in conversation with Brooke, whereupon we came up with a great way to share our combined vision and talent through a brand new collaborative course:

Conceptual Fine Art Photo Artistry

My hope now is that this course will inspire many, many other creative photographers looking for fresh ideas to re-ignite their love of working with their camera again.

– Sebastian

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The image featured on this post is by AWAKE artist Nina Irvin (whose online portfolio you can explore here: https://artboja.com/art/3whzmg/ ) Like Nina, I can’t resist creating photos of cats. This one I especially loved, not only because of the cat, but because of the lines in the composition, a reflection of a distant bird in the window above the cat (adds drama when you spot it!), and the artistic treatment she gave the piece overall. It’s wonderful. And I’d love to meet that cat.